Document restoration >> How To Restore Water Damaged Archive Photos

The New Orleans Charter is the product resulting from the two symposia: Museums in Historic Buildings held in Montreal, Quebec (1990) and New Orleans, Louisiana (1991) and How To Restore Water Damaged Archive Photos co-sponsored by the American Institute for Conservation of Historic and Artistic Works (AIC) and The Association for Preservation Technology International. 

This Charter has been officially adopted by the Board of How To Restore Water Damaged Archive Photos Directors of both AIC and APTI. The New Orleans Charter was subsequently adopted by the National Conference of State Historic Preservation Officers at its Annual Meeting in Washington, D.C. in March, 1992.

In 1992 this Charter was presented by a panel of symposium participants at a half-dozen conferences. American Institute for Conservation, Buffalo, June 1992, American Association of State and Local History, Miami, Sept 1992, International Council of How To Restore Water Damaged Archive Photos Museums, Sept 1992, Association for Preservation Technology, Philadelphia, Sept 1992.

Joint meeting of the Mid-Atlantic Association of Museums/New EnglandMuseum Association, Albany, Nov 1992, APT Communiqué 21(2): May 1992 The New Orleans Charter How To Restore Water Damaged Archive Photos from a concern for the coexistence of historic structures and the artifacts housed within them; Recognizing our responsibility as stewards to provide the highest levels of care for the structures and other artifacts placed in our care.

Recognizing that many significant structures are used to house, display and interpret artifacts; Recognizing that historic structures and the contents placed within them deserve equal How To Restore Water Damaged Archive Photos consideration in planning for their care; Recognizing that technologies and approaches will continue to change; and Recognizing that those involved in preservation are part of a continuum, and are neither the first nor the last to affect the preservation of historic structures and How To Restore Water Damaged Archive Photos artifacts; 

We, therefore, adopt these How To Restore Water Damaged Archive Photos principles as governing the preservation of historic structures and the artifacts housed in them: 1. Institutions' statements of mission should recognize the need to preserve the unique character of both the historic structure and artifacts. 

The preservation needs of the historic structure and of the artifacts should be defined only after study adequate to serve as the How To Restore Water Damaged Archive Photos foundation for the preservation of both. 3. Requisite levels of care should be established through the interdisciplinary collaboration of all qualified professionals with potential to contribute. 

Appropriate preservation must reflect application of recognized preservation practices, including assessment of risk before and after intervention, and the expectation of future intervention. 5. Measures which promote the preservation of either the historic structure or the artifacts, at the expense of the other How To Restore Water Damaged Archive Photos, should not be considered.

Regarding public use, the right of future generations to access and enjoyment must outweigh immediate How To Restore Water Damaged Archive Photos needs. 7. Appropriate preservation strategies should be guided by the specific needs and characteristics of the historic structure and artifacts. 8. Appropriate documentation of all stages of a project is essential, and should be readily accessible and preserved for the future. 

The most appropriate action in a particular case is one which attains the desired goal with the least intervention to the historic structure and the artifacts. 10. Proposed preservation strategies should be appropriate to the ability of the institution to How To Restore Water Damaged Archive Photos implement and maintain them. 

The AIC is indebted to the numerous museum professionals, directors among them, who provided invaluable review of this document. Gratitude also goes to four senior conservators who pooled their considerable knowledge and expertise to create this How To Restore Water Damaged Archive Photos paper: 

Lucy Commoner (Textile Conservator, Cooper-Hewitt, National Design Museum), Betsy Palmer Eldridge (Book and Paper How To Restore Water Damaged Archive Photos Conservator in private practice), Pamela Hatchfield (Objects Conservator, Boston Museum of Fine Arts), and Jay Krueger (Conservator of Modern Paintings, National Gallery of Art).

Their work and insights are exemplary and their commitment typical of a profession dedicated to saving our cultural treasures for the How To Restore Water Damaged Archive Photos future. AIC/FAIC, June 2002 12. "The Association of Art Museum Directors compliments the American Institute for Conservation on its Position Paper on Conservation in Collecting Institutions. 

Conservation of works of art in museums is a prime responsibility of a museum and the Position Paper provides clear guidelines for all collecting institutions to preserve artistic and How To Restore Water Damaged Archive Photos historic heritage." Mimi Gaudieri, Executive Director, Association of Art Museum How To Restore Water Damaged Archive Photos Directors 

In the field of state and local history, most collecting organizations do not enjoy the resources necessary to hire a conservation staff. But it is imperative that conservation and preservation stay at the forefront of planning for the long-term, for collecting institutions of all sizes. AIC's position paper sets How To Restore Water Damaged Archive Photos ideal goals which will hopefully encourage collecting institutions to continue to do more." 

Terry C. Davis, Executive Director and CEO, The American Association for State and Local History (AASLH) 16. "AIC's position is a much needed and comprehensive guide to collections care responsibilities. The benefits are of immeasurable value for institutions and those they serve. By using the AIC guidelines in fundraising efforts collecting institutions can demonstrate a commitment to professional standards that assure best How To Restore Water Damaged Archive Photos practices are being followed." 

Lawrence L. Reger, President, Heritage Preservation 18. "The Registrars Committee of the American Association of How To Restore Water Damaged Archive Photos Museums, supports the AIC position on "Conservation and Preservation in Collecting Institutions." Registrars often man the front line in collections care, especially in those institutions without a permanent conservation staff, and in all cases must consider preservation of objects and works of art the highest of priorities. 

The AIC position paper touches on the most important areas of risk management for collections and provides a How To Restore Water Damaged Archive Photos checklist and guide that can be used by the collections profession." 19. Rebecca A. Buck, Chair, RC-AAM 

AIC's Position Paper provides a clear reminder of basic responsibilities for long-term stewardship of museum collections. The paper is consistent with the federal government's directives concerning the management of its heritage assets, including collections of How To Restore Water Damaged Archive Photos scientific, historic, and artistic objects. 

This is a useful reminder for How To Restore Water Damaged Archive Photos agencies and institutions within parent organizations that have primary goals other than management of museum collections." 21. Debra E. Sonderman, Director, Office of Acquisition and Property Management, Department of the Interior 

"Collections are critical to advancing a museum's mission and serving the public as a place of learning, but only if they remain viable and accessible. This document will help collecting museums of all sizes and types stay aware of conservation How To Restore Water Damaged Archive Photos issues and best practices, while allowing each to scale the guidelines to their unique collection needs and available resources. 

This document is also a valuable resource for museums and peer reviewers participating in the Museum Assessment Program, particularly the Collections Assessment, and complements the Accreditation Commission's Expectations Regarding Collections How To Restore Water Damaged Archive Photos Stewardship.

Laws In Wisconsin Regarding Asbestos Siding

Asbestos fibers are a known human carcinogen. Lung cancer, mesothelioma cancer of the chest cavity lining and asbestosisa fibrotic scarring of lung tissue have been proven to result from asbestos exposure. The Clean Air Act (CAA) of 1970 requires Asbestos Abatement Laws In Wisconsin Regarding Asbestos Siding the U.S. Environmental Protection Agency (E  read more..

How To Clean An Oven After Using A Fire Extinguish

In the early 1990s, a number of tests using direct measures of corrosion were developed. In addition to the CNET test, the cone corrosimeter and the traveling furnace tests were developed.An additional direct test was developed by the ASTM E 05.21.70 committee but it was eventually Smoke Damage How To Clean An Oven After Using A Fire Extinguish withdrawn.&n  read more..

EPA Asbestos Removal Regulations

RESPIRATORS AND PROTECTIVE CLOTHING ARE REQUIRED IN THIS AREA Prior to June 1, 2016, employers may use the following legend in lieu of that specified in paragraph (j)(4)(ii)(B) of this section:  The employer shall ensure that employees working in  Asbestos Abatement EPA Asbestos Removal Regulations.

  read more..

Asbestos Removal Techniques

In accordance with these concepts, it has been suggested that amphibole asbestos is more toxic than chrysotile asbestos, mainly because physical differences allow chrysotile to break down and clear from the lung, whereas amphibole is not removed and Asbestos Abatement Asbestos Removal Techniques builds up to high levels in lung ti  read more..

Termites And Pest Control

PESTS SEEK PLACES TO LIVE that satisfy basic needs for air, moisture, food, and shelter. The best way to control pests is to try to prevent them from entering your home or garden in the first place. You can do this by removing the elements that they need to survive.Remove water. All living things, i  read more..

Lead Paint In All Construction Work

This section applies to all construction work where an employee may be occupationally exposed to lead. All construction work excluded from coverage in the general industry standard for lead by section 5216(a)(2) is covered by this standard. Construction work is defined as work for construction, alte  read more..

Lawn Damage From Raccoons And Skunks

Relationship of This Environmental Assessment to Other Environmental Documents has issued a Final Environmental Impact Statement on the national APHIS/Animal Damage Lawn Damage From Raccoons And Skunks program. Pertinent information avai  read more..

Water Extraction

Provide lots of ventilation during a Flood Damage Water Extraction and keep your eyes open for indications of carbon monoxide poisoning, like mild headaches that persevere or get worse, loss of breath, petulance, poor judgment, loss of memory, or rapid exhaustion. Never attempt to warm up your home with a gas burning   read more..

The Hazards Of Dealing With Lead Paint

Lead accumulates in the body following exposure. Lead stays in the blood for several months, and it can be stored in the bone for many decades. Lead poisoning (plumbism) usually results from many small exposures over a period of weeks or years. The brain and nervous system are particularly Lead Paint Removal The Hazards Of Dealing With Lead Paint  read more..

UV Mold Remediation Mold Removal

How Do You Know When You Have Finished Remediation/Cleanup? 1. You must have completely fixed the water or moisture problem.2. You should complete mold removal. Use professional judgment to determine if the cleanup is sufficient. Visible mold, mold-damaged materials, Mold Remediation UV Mold Remediation Mold Removal and moldy odors s  read more..